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Richard and Sandra are good people: comfortably overweight, generally honest. They live in a nice house in a safe neighborhood. Theres nothing in the basement. They have great jobs. They volunteer at community theaters. They keep up with college friends. Theres nothing in the basement. They have adorable dogs and favorite television shows. Sandra nearly drowns in the bathtub. The sewage backs up. Richards teeth fall out. The dogs are in a frenzy. How many things can go wrong before you suspect that cosmic forces want to kill you? Theres nothing in the basement. Advanced Praise: I thoroughly enjoyed Nothing in the Basement. I only got to it last night, but I couldnt put it down. It was a one-sitting read! Romie Stotts prose lures you into a seductive stranglehold you wont want to escape. Nothing in the Basement delivers a quietly intense exploration of a failing home and the true horror of an empty marriage. Plan ahead, and have your favorite security blanket ready because youre going to have a hard time escaping this storys grip. Trisha Trisha J. Wooldridge (New England Horror Writers Association), author of Where Monsters Play Look at it one way, and Romie Stotts Nothing in the Basement is a sharp, occasionally ironic, scrutiny of two middle-class, middle-aged people, living in a money pit of a house at peak midlife crisis. It is also a story of the slow decay of environment, relationship, and sense of self. Domestic entropy, but make it haunted. Sometimes it was so startling or frightening, I gasped out loud. The reader seesaws between appropriately appalled sympathy and an odd schadenfreude that is so jubilant and malicious that it must come from without, not within. Surely this book has possessed us. - C. S. E. Cooney, World Fantasy Award-winning author of Saint Deaths Daughter Bio: Romie Stott (pronounced like Romeo without the ending o) is an editor at the Hugo, Ignyte, and British Fantasy Award-winning magazine Strange Horizons. Her short stories, poems, and essays have appeared in Analog, Arc, The Deadlands, Atlas Obscura, The Toast, and On Spec. As a narrative filmmaker (working mainly as Romie Faienza), Romie has been a guest artist at the Institute of Contemporary Art (Boston), the Dallas Museum of Art, and the National Gallery (London). She is the writer/director of the feature film Hayseeds & Scalawags, and is the book writer of the musicals First, Contact and The Lady Takes the Mic. Romie is a Texan who lives in Massachusetts. In
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Vânzător: Libris.ro
Brand: Romie Stott
